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Fairy tales --- Redemption in literature --- Women --- Psychoanalysis and fairy tales --- Folklore --- Anthropology --- Social Sciences --- Fairy tales and psychoanalysis --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Fairytales --- Children's stories --- Tales --- History and criticism

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The story of Uvajuq is rooted in a time when people and animals lived in such harmony and unity that they could speak to each other.

Legends --- Inuit --- Innuit --- Inupik --- Eskimos --- Folk tales --- Traditions --- Urban legends --- Folklore --- History.

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Christian pilgrims and pilgrimages in literature. --- Tales, Medieval --- Storytelling in literature. --- Rhetoric, Medieval. --- Christian pilgrims and pilgrimages in literature --- Storytelling in literature --- Rhetoric, Medieval --- English --- Languages & Literatures --- English Literature --- Medieval tales --- History and criticism. --- History and criticism --- Chaucer, Geoffrey, --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- Technique.

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Dealing with the most translated work of German literature, the Tales of the brothers Grimm (1812-1815), this book discusses their history, notably in relation to Denmark and subsequently other nations from 1816 to 1986. The Danish intelligentsia responded enthusiastically to the tales and some were immediately translated into Danish by a nobleman and by the foremost Romantic poet. Their renditions remained in print for a century and embued the tales with high prestige. This book discusses translators, approaches, and other parameters such as copyright, and changes in target audiences.

#KVHA:Vertaalgeschiedenis --- Theory of literary translation --- Grimm [Brothers] --- Folk literature, German --- Children's stories, German --- Fairy tales --- German language --- Translations into Danish --- History and criticism --- Translating into Danish --- Kinder- und Hausmärchen --- Translations --- History and criticism. --- Translating into Danish. --- Children's stories, German -- Translations into Danish -- History and criticism. --- Fairy tales -- Germany -- History and criticism. --- Folk literature, German -- History and criticism. --- Folk literature, German -- Translations into Danish -- History and criticism. --- German language -- Translating into Danish. --- Kinder and Hausmarchen -- Translations -- History and criticism. --- Folklore --- Anthropology --- Social Sciences --- Ashkenazic German language --- Hochdeutsch --- Judaeo-German language (German) --- Judendeutsch language --- Judeo-German language (German) --- Jüdisch-Deutsch language --- Jüdischdeutsch language --- Germanic languages --- German children's stories --- German fiction --- German folk literature --- German literature --- Folk literature, German - Translations into Danish - History and criticism --- Children's stories, German - Translations into Danish - History and criticism --- Fairy tales - Germany - History and criticism --- Folk literature, German - History and criticism --- German language - Translating into Danish

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James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold.

English fiction --- Horror tales, English --- Gothic revival (Literature) --- Politics and culture --- Romanticism --- Literary form. --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Culture --- Culture and politics --- History and criticism. --- Political aspects --- 82-392 --- 82-34 --- 820 "17" --- 820-34 --- -English fiction --- -Gothic revival (Literature) --- -Horror tales, English --- -Romanticism --- -Literary form --- -Form, Literary --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- English horror tales --- 820 "17" Engelse literatuur--18e eeuw. Periode 1700-1799 --- Engelse literatuur--18e eeuw. Periode 1700-1799 --- Literatuur. Gotische roman(ce) --- Sprookje. Legende. Mythe --- Engelse literatuur: sprookje; legende; mythe --- -History and criticism --- History and criticism --- History --- -History --- -82-392 --- -English literature --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- 820-34 Engelse literatuur: sprookje; legende; mythe --- 82-34 Sprookje. Legende. Mythe --- -Social aspects --- Gothic fiction (Literary genre), English --- Literary form --- English gothic fiction (Literary genre) --- Arts and Humanities --- 18th century --- Horror tales [English ] --- 19th century --- Great Britain --- English literature --- -Political aspects